Italian Early Renaissance Painter, ca.1430-1495 Italian Renaissance artist. He was a leading master of the school of Ferrara and court painter to the city's ruling Este family. Often vividly emotional, Tura's figures range from the graceful to the grotesque, as in the gentle Mary and contorted Jesus of his c.1472 Pieta (Correr Museum, Venice). Combining material splendor with asceticism, his stylistically idiosyncratic paintings are frequently filled with sharply portrayed natural details??diversified landscapes, squirrels, monkeys, fruits, etc.??that serve as both plastic and iconographic elements. His works are executed in a harsh, nervously linear, and rather angular style, with bold and sometimes strident coloring. Examples of his art include two organ panels, Annunciation and St. George Slaying the Dragon (cathedral, Ferrara); Christ on the Cross (Milan); St. Jerome (National Gall., London); Portrait of a Man and Saints (National Gall. of Art, Washington, D.C.). Attributed to him is a portrait of a member of the Este family, The Flight into Egypt, and St. Louis of Toulouse   Related Paintings of Cosme Tura :. | A Muse | St.Dominic | St George and Dragon and The princess | A Muse | Hl. Jacobus d. a. |
Related Artists:
James Earle Fraser
American Sculptor, 1876-1953,American sculptor, b. Winona, Minn., studied at the Art Institute of Chicago and in Paris. The best known of his many works are The End of the Trail (Visalia, Calif.), the designs for the Indian head nickel, and a statue of Alexander Hamilton
Daniel Chester French
American Neoclassical Sculptor, 1850-1931.was an American sculptor. His best-known work is the sculpture of a seated Abraham Lincoln at the Lincoln Memorial in Washington, D.C. French was born in Exeter, New Hampshire, to Henry Flagg French, a lawyer, Assistant US Treasury Secretary and author of a book that described the French drain. Daniel Chester French was a neighbor and friend of Ralph Waldo Emerson, and the Alcott family. His decision to pursue sculpting was influenced by Louisa May Alcott's sister May Alcott. After a year at the Massachusetts Institute of Technology, French worked on his father's farm. While visiting relatives in Brooklyn, New York City, he spent a month in the studio of John Quincy Adams Ward, then began to work on commissions, and at the age of twenty-three received from the town of Concord, Massachusetts, an order for his well-known statue The Minute Man, which was unveiled April 19, 1875 on the centenary of the Battle of Lexington and Concord. Previously French had gone to Florence, Italy, where he spent a year working with sculptor Thomas Ball. In 1917, he designed the Pulitzer Prize gold medal presented to laureates. In collaboration with Edward Clark Potter he modelled the George Washington statue, presented to France by the Daughters of the American Revolution; the General Grant in Fairmount Park, Philadelphia, and the General Joseph Hooker statue in Boston. In 1893, French was a founding member of the National Sculpture Society, and he became a member of the American Academy of Arts and Sciences. French also became a member of the National Academy of Design (1901), the American Academy of Arts and Letters, the National Sculpture Society, the Architectural League, and the Accademia di San Luca, of Rome. French was one of many sculptors who frequently employed Audrey Munson as a model.
Willem Bastiaan Tholen
was a Dutch painter, draftsman and printmaker, born in Amsterdam, 13 Feb 1860, died in The Hague, 5 Dec 1931. He came from an artistic family, who lived in Kampen from 1864. There he developed at an early age a lasting love of the Zuiderzee. In Kampen he became friendly with the young Jan Voerman; they entered the Amsterdam academy together in 1876, where Tholen studied under August Allebe. Subsequently he learned technical drawing at the Polytechnische School in Delft until 1878. Thereafter he spent three months in the studio of Paul Gabriël in Brussels, from whom he received his first real instruction in painting. In the following years Gabriël's advice was of particular importance for Tholen, as they worked together en plein air for many summers near Kampen and Giethoorn, among other places. In Gouda (1878-9) and Kampen (1880-85) he taught draftsmanship in order to support himself but after 1885 concentrated entirely on his own work. From 1887 he lived in The Hague, where he became friendly with the painters of The Hague school. He took an active part in the artistic life of The Hague and was a member of the Pulchri Studio.